A three-day celebration ended when it was revealed that it was Eero, not Eliel, who had actually won the competition. Saarinen” had won the competition, everyone assumed the elder man was the victor. When a telegram came to the office where both men worked, announcing that “E. Eero Eliel was quietly bitter and resentful about his son’s successSaarinen was the son of Eliel Saarinen, a famous architect in his own right who competed against his son to design the St. Much like the Louis Kahn documentary, “My Architect: A Son’s Journey,” the themes of complex father and son relationships drive the narrative, but in this case they span multiple generations. Screenshot from "Eero Saarinen: The Architect Who Saw the Future"Įero’s son Eric serves as both the director of photography and the documentary’s reserved emotional through line, occasionally appearing on film to describe his frustrations, his discoveries, and his ultimate renewed appreciation of his father’s work. A man who once walked into an empty office at 8am demanding, “Where is everybody?” only to be informed that it was Christmas, Saarinen was so dedicated to his career that his children from his first marriage resented him for emotional abandonment until well after his early death at age 51. But he was also inadvertently savvy when it came to his personal life after divorcing Saarinen was so dedicated to his career that his children from his first marriage resented him for emotional abandonmenthis first wife, he married his lover Aline, a prominent architectural critic who wrote a career-boosting cover story about him in The New York Times Magazine in April 1953. Louis Gateway Arch, have permanently enhanced the public realm. ![]() Certainly this is the case with Eero Saarinen: The Architect Who Saw the Future, which stays true to its form with majestic drone footage, voice-over narration, a soundtrack by Moby and interviews with famous co-workers, architects, and family members.Įero Saarinen was a starchitect before the term had been invented: his most iconic works, including the TWA terminal and the St. In the way that the Star Wars film franchise was modeled on Joseph Campbell’s theory of the hero’s journey, architectural documentaries might seem to be modeled on the theory of the visionary workaholic.
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